Vinay Kumar Rao (1971) received his school education from Kendriya Vidyalaya. He has obtained his Graduate and Post Graduate degrees from Allahabad University with specialization in Archaeology and done Bachelor of Education from VBS Purvanchal University, Jaunpur and Master in Education from Kurukshetra University. He has completed his Doctoral Research from VBS Purvanchal University, Jaunpur in year 2003-04. He received Junior Research Fellowship from Indian Council of Historical Research, New Delhi and visited Xi’an, Peoples Republic of China under Wooden fish Academic Exchange Programme. He has received practical training to study coins and inscriptions in situ from Indian Institute of Research in Numismatics, Anjaneri, Nasik and Directorate of Epigraphy, Archaeological Survey of India, Mysore. He has presented number of papers on topics related to Buddhist Sculptural art in International conferences in India and abroad. He is associated with Field School of Archaeology, Ministry of Culture, Union of Myanmar as guest faculty since 2010. He has published three books including Buddhist Sculptural Art of Lower Krishna Valley and Buddhist Art of Pagan. He has good number of publications in field of Archaeology especially in Buddhist Art of India and Myanmar.
Vinay Kumar Rao is currently teaching in department of History, Assam University as an Assistant Professor since 2004.
The over-arching period of the 2nd century BC to 3rd century AD witnessed the development of Buddhism in India. The period is well known for the growth and development of Buddhist art and architecture and one is able to get a glimpse of contemporary society going through these art forms. Women are an integral part of a society and the position and role of women is a pre-requisite to define the humbleness and harmony of any society. No society can be regarded as civilized and cultured in true sense without acknowledging the status and dignity of women. The archaeological and literary sources have manifested women in various roles since ancient times and are very magnificently projected in early Buddhist sculptural art. The presence of women in Buddhist sculptural do not only implies the cultural manifestations but also highlights the socio-economic role of women in that particular space and time. There are a plethora of inscriptions and sculptural representations that appear in early Buddhist period, which indicate active involvement of women in socio-religious affairs. This changed attitude of society towards women after the advent of Buddhism is very clearly reflected in early Buddhist sculptural art. By going through the detailed depictions of various religious and secular narratives we can observe women in early Buddhist sculptural art in various dimensions. This is also very well affirmed by inscriptions carved on various parts of Buddhist monuments.
The book with the help of literary and epigraphically sources intends to present the contemporary diversified and multifarious role of women in early Buddhist sculptural art. In order to authenticate the study, the author has collected source material from various museums and extensively travelled to various Buddhist monuments.
Price: Rs 2,950.00
Author: Vinay Kuamr Rao
Size: 29 cm
Page: 272 Illus., B/W
Year of Publication: 2012
Binding: cloth binding